the term circulated widely, and was used indiscriminately in print culture to refer to all kinds of female performers – were similarly gendered. Here, I demonstrate that realist fictional representations of dive – by which I mean female performing artists as dancers, singers, actors, etc.
N2 - Studies in late nineteenth-century Italian cultural history during the last two decades have uncovered the gendering of writing and reading in this period, and elsewhere I have recently argued that the discursive construction of the Italian diva in relation to ideas of beauty was gendered (Hallamore Caesar 80-97 Re 155-200 Mitchell 330-46). T1 - Ottocento Italian Dive between the woman's stage and page While male writers version of everyday life in late nineteenth-century Italy. Here, I posit that these female-authored re-imaginings can be understood not only a conscious strategy to undermine historical perceptions of “fatal” femininity in the Western male imagination, but also to readdress the somewhat inaccurate and one-dimensional portrayal of stage dive in a genre of literature that purported to document “photographically”, and in an apparently faithful, “realistic” way, an ‘authentic’ version of everyday life in late nineteenth-century Italy.Ībstract = "Studies in late nineteenth-century Italian cultural history during the last two decades have uncovered the gendering of writing and reading in this period, and elsewhere I have recently argued that the discursive construction of the Italian diva in relation to ideas of beauty was gendered (Hallamore Caesar 80-97 Re 155-200 Mitchell 330-46). While male writers’ representations are static and un-individuated (which was perhaps symptomatic of men’s (unconscious?) constructed fantasies and fears within a patriarchal and misogynistic culture at a time when women were beginning to emerge into the public sphere as writers, journalists, critics, and political activists), women writers re-imagine literary representations of “fatal femininity” in the figure of the diva to present less “fantastical”, more “realistic” images of femininities that bore a closer relation to the everyday experiences and lives of actual stage dive. 11:20 PMĮT MANILA METROPOLITAN PUBLISHING LTD.Studies in late nineteenth-century Italian cultural history during the last two decades have uncovered the gendering of writing and reading in this period, and elsewhere I have recently argued that the discursive construction of the Italian diva in relation to ideas of beauty was gendered (Hallamore Caesar 80-97 Re 155-200 Mitchell 330-46). 11:20 PMĮLICIT - CHILDREN'S LITERATURE PROJECTS INCORPORATED 11:20 PMĮNHANCED EARTH DEVELOPMENTS INC. 11:20 PMĭESO INSTITUTE OF BRAIN TRAINING INCORPORATED 11:20 PMĭUFFERS RESTAURANT AND LOUNGE INC. 11:20 PMĭATA SAGE ADVANCED AUTOMATION INC. 11:20 PMĬREATURES OF HABIT PROMOTIONS INC. 11:20 PMĬHARITY MARKETING GROUP (B.C.) ULC 11:20 PMĬHINESE CHRISTIAN NETWORK RESOURCES LTD. 11:20 PMĬAPY BOBA TEA AND DESSERT HOUSE LTD. 11:20 PMĬANTECH PLUMBING DRAINAGE AND HEATING LTD. 11:20 PMīLOOM INTERNATIONAL DEVELOPMENT INVESTMENT LTD. 11:20 PMīLACK SUNSHINE MOTORCYCLE SUPPLY LTD. 11:20 PMīATTERY MINERAL RESOURCES (ONTARIO) LIMITED 11:20 PMīINDI'S GENERAL CONTRACTING & RENOVATION LTD. 11:20 PMīABA DEMOLITION & EXCAVATING LTD.
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